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Indeed, frequently the external world is not constrained by our imagination; rather, it is we who impose limitations upon ourselves.
Introduction

Many individuals exhibit self-restraint and retreat when confronted with real-life challenges. Often, they establish a “psychological height” threshold by default, layering self-imposed constraints that confine their minds to a “comfort zone.” Consequently, they remain stagnant, caught in an unending cycle of self-doubt and self-denial.

 

 

Process

Outcome

The film serves a dual purpose: firstly, it aligns with the thematic essence of the black square; secondly, it conveys a poignant message to the audience.

Specifically, it portrays a world inhabited by individuals who negate their own self-worth—a lifeless existence akin to a plague. This pervasive sense of powerlessness and suffering afflicts every ordinary person, rendering them indistinguishable, akin to a multitude of ants. The black and white imagery strips away their unique hues, engendering an overwhelmingly bleak film atmosphere.

 

 

In terms of music selection, drum-based compositions were chosen to evoke tension without overt melodies. This deliberate choice immerses the audience in the film’s atmosphere, amplifying its impact.

 

 

Bibliography

Malevich, K. (1915). Black Square. Oil on linen. Tretyakov Gallery, Moscow.

Arrival (2016). Directed by V. Denis. Feature film. Santa Monica, CA: Paramount Pictures.

Image of Arrival (2017). Available at: https://discovery.cathaypacific.com/we-need-to-talk/ (Accessed: 8 January 2023).

Villeneuve, D. (2016). Arrival. Film directed by Denis Villeneuve. USA: Paramount Pictures. Available at: Wikipedia (Accessed: 6 November 2024).

Heisserer, E. (2016). Arrival Screenplay. Based on the short story “Story of Your Life” by Ted Chiang. Available at: IMDb (Accessed: 6 November 2024).

Richter, M. (2016). ‘On the Nature of Daylight’, Arrival Soundtrack. Deutsche Grammophon GmbH. Available at: Vox (Accessed: 6 November 2024).

Chiang, T. (1998). ‘Story of Your Life’, in Stories of Your Life and Others. New York: Tor Books.

Villeneuve, D. (2016). Arrival. Film directed by Denis Villeneuve. USA: Paramount Pictures. Available at: Wikipedia (Accessed: 16 May 2023).

Heisserer, E. (2016). Arrival Screenplay. Based on the short story “Story of Your Life” by Ted Chiang. Available at: IMDb (Accessed: 16 May 2023).

Richter, M. (2016). ‘On the Nature of Daylight’, Arrival Soundtrack. Deutsche Grammophon GmbH. Available at: Vox (Accessed: 16 May 2023).

Adger, D. (2016). ‘Linguistics and Science Fiction: Arrival’. Language Log.

Coon, J. (2017). ‘Consulting on Arrival: A Linguist’s Perspective’. Language and Linguistics Compass, 11(8), pp. 1-10.

Birner, B.J. (2017). ‘The Sapir-Whorf Hypothesis in Arrival’. Journal of Linguistic Anthropology, 27(2), pp. 123-130.

Analysis of the Sapir-Whorf hypothesis as depicted in the film. Tallerico, B. (2016). ‘Film Review: Arrival’. RogerEbert.com. Available at: RogerEbert.com (Accessed: 18 May 2023).

Lansky, S. (2016). ‘Arrival: A Sci-Fi for Grownups’. Time Magazine. Available at: Time (Accessed: 6 May 2023).

Tilly, C. (2016). ‘Review of Arrival’. IGN. Available at: IGN (Accessed: 6 November 2024)

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