Untitled

Work by

Published in

Supervised by

Indeed, frequently the external world is not constrained by our imagination; rather, it is we who impose limitations upon ourselves.
Introduction

Many individuals exhibit self-restraint and retreat when confronted with real-life challenges. Often, they establish a “psychological height” threshold by default, layering self-imposed constraints that confine their minds to a “comfort zone.” Consequently, they remain stagnant, caught in an unending cycle of self-doubt and self-denial.

 

 

Outcome

The film serves a dual purpose: firstly, it aligns with the thematic essence of the black square; secondly, it conveys a poignant message to the audience.

Specifically, it portrays a world inhabited by individuals who negate their own self-worth—a lifeless existence akin to a plague. This pervasive sense of powerlessness and suffering afflicts every ordinary person, rendering them indistinguishable, akin to a multitude of ants. The black and white imagery strips away their unique hues, engendering an overwhelmingly bleak film atmosphere.

 

 

In terms of music selection, drum-based compositions were chosen to evoke tension without overt melodies. This deliberate choice immerses the audience in the film’s atmosphere, amplifying its impact.

 

 

Bibliography

All materials within this project, including but not limited to text, images, graphics, logos, code, and designs, are protected by intellectual property laws and are the exclusive property of their respective owners. Unauthorized use, reproduction, modification, or distribution of any content without prior written consent is strictly prohibited and may result in legal action.

By accessing or using this content, you agree to respect and uphold these intellectual property rights. Any permissible use of this content must include proper attribution and abide by applicable licensing terms. For licensing inquiries or permissions, please contact us directly.